Three Qualities Necessary for Work to Be Considered Art

"piece of art" redirects hither. Not to be confused with art of peace.

Creative creation of artful value

A piece of work of art, artwork,^[1] art slice, piece of art or art object is an creative cosmos of aesthetic value. Except for "work of fine art", which may be used of whatsoever work regarded as art in its widest sense, including works from literature and music, these terms use principally to tangible, physical forms of visual fine art:

• An example of fine art, such as a painting or sculpture.
• An object that has been designed specifically for its aesthetic appeal, such as a piece of jewellery.
• An object that has been designed for artful appeal as well every bit functional purpose, as in interior design and much folk art.
• An object created for principally or entirely functional, religious or other non-aesthetic reasons which has come to be appreciated as art (often later, or by cultural outsiders).
• A non-ephemeral photo or film.
• A work of installation fine art or conceptual art.

Used more broadly, the term is less commonly applied to:

• A fine piece of work of compages or mural design
• A production of live performance, such as theater, ballet, opera, performance art, musical concert and other performing arts, and other imperceptible, non-tangible creations.

This article is concerned with the terms and concept every bit used in and applied to the visual arts, although other fields such as aural-music and written give-and-take-literature have like bug and philosophies. The term objet d'art is reserved to describe works of art that are not paintings, prints, drawings or big or medium-sized sculptures, or compages (e.1000. household appurtenances, figurines, etc., some purely aesthetic, some also applied). The term oeuvre is used to describe the complete body of work completed by an artist throughout a career.^[2]

Definition [edit]

A work of fine art in the visual arts is a physical two- or iii- dimensional object that is professionally determined or otherwise considered to fulfill a primarily independent aesthetic role. A singular art object is often seen in the context of a larger art motility or artistic era, such equally: a genre, aesthetic convention, culture, or regional-national distinction.^[3] It can also exist seen equally an item inside an artist's "trunk of work" or oeuvre. The term is commonly used by museum and cultural heritage curators, the interested public, the art patron-individual art collector customs, and fine art galleries.^[4]

Concrete objects that document immaterial or conceptual art works, but do not adjust to creative conventions can be redefined and reclassified as art objects. Some Dada and Neo-Dada conceptual and readymade works have received afterward inclusion. Also, some architectural renderings and models of unbuilt projects, such as past Vitruvius, Leonardo da Vinci, Frank Lloyd Wright, and Frank Gehry, are other examples.

The products of environmental design, depending on intention and execution, tin be "works of art" and include: country art, site-specific art, architecture, gardens, landscape compages, installation fine art, rock fine art, and megalithic monuments.

Legal definitions of "work of fine art" are used in copyright law; see Visual arts § United states of america copyright definition of visual fine art.

Theories [edit]

Marcel Duchamp criticized the idea that the work of art should exist a unique product of an artist's labour, representational of their technical skill or creative caprice.^{[ citation needed ]} Theorists accept argued that objects and people exercise non have a constant significant, but their meanings are fashioned by humans in the context of their culture, as they have the ability to make things hateful or signify something.^[5]

Creative person Michael Craig-Martin, creator of An Oak Tree, said of his piece of work – "It'southward not a symbol. I have changed the concrete substance of the glass of h2o into that of an oak tree. I didn't alter its appearance. The actual oak tree is physically present, but in the form of a glass of h2o."^{[half dozen]}

Distinctions [edit]

Some art theorists and writers have long made a stardom between the physical qualities of an art object and its identity-status as an artwork.^[7] For case, a painting by Rembrandt has a physical existence as an "oil painting on canvas" that is separate from its identity equally a masterpiece "piece of work of art" or the artist's magnum opus.^[eight] Many works of fine art are initially denied "museum quality" or artistic merit, and afterwards go accepted and valued in museum and individual collections. Works by the Impressionists and not-representational abstract artists are examples. Some, such as the "Readymades" of Marcel Duchamp including his infamous urinal Fountain, are later reproduced as museum quality replicas.

Research suggests that presenting an artwork in a museum context tin touch on the perception of information technology.^[9]

There is an indefinite distinction, for current or historical aesthetic items: between "art" objects fabricated by "artists"; and folk art, craft-work, or "applied art" objects fabricated by "beginning, second, or third-globe" designers, artisans and craftspeople. Contemporary and archeological ethnic fine art, industrial design items in limited or mass production, and places created by environmental designers and cultural landscapes, are some examples. The term has been consistently available for fence, reconsideration, and redefinition.

See also [edit]

• Anti-art
• Artistic media
• Cultural artifact
• Opus number (used in music)
• Outline of aesthetics
• "The Work of Art in the Age of Mechanical Reproduction"
• Western catechism

References [edit]

1. ^ Mostly in American English language
2. ^ Oeuvre Merriam Webster Dictionary, Accessed April 2011
3. ^ Gell, Alfred (1998). Art and bureau: an Anthropological Theory. Clarendon Press. p. 7. ISBN0-19-828014-9 . Retrieved 2011-03-xi .
4. ^ Macdonald, Sharon (2006). A Companion to Museum Studies. Blackwell companions in cultural studies. Wiley-Blackwell. p. 52. ISBN1-4051-0839-8 . Retrieved 2011-03-11 .
5. ^ Hall, S (ed.) 1997, Cultural Representations and Signifying Practice, Open University Printing, London, 1997.
6. ^ "There'southward No Need to be Afraid of the Present", The Independent, 25 Jun 2001
7. ^ "FTC Wins $2.3 1000000 Judgment Against Gallery Owner In Phony Art Scam" (Printing release). Federal Merchandise Commission. Baronial 11, 1995. Archived from the original on August 4, 2009. Retrieved October 29, 2008.
8. ^ "Rembrandt Research Project - Home". rembrandtresearchproject.org.
9. ^ Susanne Grüner; Eva Specker & Helmut Leder (2019). "Effects of Context and Genuineness in the Experience of Fine art". Empirical Studies of the Arts. 37 (2): 138–152. doi:x.1177/0276237418822896. S2CID 150115587.

Further reading [edit]

• Richard Wollheim, Fine art and Its Objects, 2nd ed., 1980, Cambridge Academy Press, ISBN 0-521-29706-0. The classic philosophical research into what a work of art is.

External links [edit]

• Media related to Art works at Wikimedia Commons

whitakerphers1985.blogspot.com

Source: https://en.wikipedia.org/wiki/Work_of_art

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